Earthwork, 1972

Earthwork, 1972

16 mm film, color, sound, 2'20, edition of 5

You and I, 2005 (installation drawing)

You and I, 2005 (installation drawing)

digital file, 60 minutes cycle in two parts, edition of 3

Long film for ambient light, 1975

Long film for ambient light, 1975

installation view at the Idea Warehouse, New York, edition of 5.

You and I, Horizontal, 2005

You and I, Horizontal, 2005

computer script, one cycle 50 minutes, in six parts, installation view Institut d'Art Contemporain, Villeurbanne, edition of 5

Landscape For White Squares, 1972

Landscape For White Squares, 1972

16 mm film, color, magnetic sound, 3'20, edition of 5

Study for two projected Columns, 2008

Study for two projected Columns, 2008

Graphite wash on paper, 116 x 79 cm, unique work

Study for projected Columns, 2008

Study for projected Columns, 2008

Graphite wash on paper, 116 x 79 cm, unique work

Study for Crossing the Hudson, 2007

Study for Crossing the Hudson, 2007

Study for “Leaving” with Travelling Wave, 2007

Study for “Leaving” with Travelling Wave, 2007

Suite of four pencil drawings on paper (IX, X, XI, XII), each 31cm x 43cm, unique work

Found Solid Light Installation, 1973-2008

Found Solid Light Installation, 1973-2008

Pigment print on paper, 41,5 x 30 cm, edition of 25

Study for Crossing, 2008

Study for Crossing, 2008

Suite of three pencil drawings on paper and one chromogenic print on paper, each 21,5 x 28 cm, unique works

Study for “Leaving” (180 degree rotation), 2006

Study for “Leaving” (180 degree rotation), 2006

Suite of twelve pencil drawings on paper, each 31cm x 43cm, unique works

You and I, Horizontal lll, 2007

You and I, Horizontal lll, 2007

Computer, QuickTime Movie file, one cycle 30 minutes in two parts, edition of 3

Landscape For Fire, 1972

Landscape For Fire, 1972

16 mm film, color, optical sound, 7 minutes 30, open edition

Miniature in Black and White, 1972

Miniature in Black and White, 1972

Eighty-one 35 mm slides, carousel projector, miniature, plexiglas screen, installation Centre Georges Pompidou/ La Maison Rouge, 2004, edition of 5

Line Describing a Cone, 1973

Line Describing a Cone, 1973

16 mm, black and white, silent, 30 minutes, installation view (at the Whitney Museum of American Art exhibition) Photograph © Henry Graber, 2002.

Long Film For Four Projectors, 1974

Long Film For Four Projectors, 1974

film 16 mm, black and white, silent, 5 hours and 30 minutes, edition of 5, installation view Photograph © Henry Graber, 2003.

Turning Under, 2004

Turning Under, 2004

digital file, black and white, silent, 30 minutes, installation view (Centre Georges Pompidou / La maison rouge), edition of 5 Photographe : Marc Domage, co-production MNAM / L

Doubling Back, 2003

Doubling Back, 2003

digital file, 30 minutes cycle in two parts, edition of 5, installation view, (at the whitney Biennial 2004) Photograph © Henry Graber, 2004

Water Table, 1972

Water Table, 1972

set of six gelatin silver prints, 27,6 x 35,3 cm each, edition of 15

Between You and I, 2006

Between You and I, 2006

digital file, 32 minutes cycle in two parts (vertical), installatioon view at Peer/The Round Chapel, London, 2006, edition of 3